IMDb - Valahol Európn

A gang of runaways and orphans from the war scour the countryside looking for food and shelter. They invade after which drawn in with a music performer and former concert pianist who's hiding in a destroyed castle. Following the initial altercation together the gang accepts his guidance and that he wins their respect by safeguarding them in the elements. However, disgruntled townsfolk wish to chase away the gang that has been - within their look for survival - lounging waste for their crops. A fight develops ending within the dying of the son - and resolution.

Child Actress Sybil Jason Dead at 83

Sybil Jason Sybil Jason, Warner Bros.' answer to Fox's Shirley Temple in the '30s died Tuesday in Northridge, Calif., of chronic obstructive pulmonary disease, according to the Washington Post. See other celebs we lost this year Jason was born in South Africa and played the British vaudeville circuit before her time in Hollywood. Her film credits include 1935's The Singing Kid, in which she performed alongside Al Jolson, and Little Big Shot (also 1935). Though her popularity never eclipsed her supposed rival's, she did appear opposite of Temple in two pictures: 1939's The Little Princess and 1940's The Blue Bird, which turned out to be Jason's final film. The child stars remained friends even after leaving the motion-picture industry. Catch up on today's news Jason's survivors include a daughter, Toni Rossi, and a grandson. Her husband of 59 years, Anthony Drake, died in 2006.

Martin Moszkowicz: Constantin's garden enthusiast

Martin MoszkowiczMoszkowicz and filmmaker Doris Doerrie, whose 'Bliss' has been created by Constantin. As Constantin Film prepares release a an eclectic slate of high-profile films this season, including Paul W.S. Anderson's three dimensional spectacle "The 3 Musketeers" and Roman Polanski's "Carnage," it will so inside a strong and dynamic market that's going through great change.Within an industry that's being re-formed by digitization, the emergence of three dimensional, new digital distribution models in addition to greater foreign competition and also the ubiquity of piracy, Constantin is moving powerful waters while acutely taking advantage of the benefits the " new world " order needs to offer.Martin Moszkowicz, Constantin's mind of film and TV who runs both production and distribution, is adopting the difficulties with gusto.This past year, Germany's box office ended up just 5.7% to 920.4 million ($1.3 billion) despite a 13.5% drop in admissions. Because of the growing energy, and greater prices for three dimensional tickets, that considerable drop was greatly padded."The theatrical distribution business is a lot more robust than many have thought," states Moszkowicz. "The good and the bad are less associated with market developments or changes towards the audience profile but product flow. During the last 5 years attendance levels happen to be stable and also the German share of individuals is with an upward trajectory. Sales happen to be steadily over ($1.28 billion) last year and 2010 in comparison to simply over $997 million in 2005."The 2010 box office will likely near $1.4 billion, he adds."three dimensional is an integral part of the and also the positive effect on this area office is completely obvious -- particularly when it involves event-type movies."Indeed, it had been a three dimensional pic that lately made history for Constantin. Anderson's "Resident Evil: Afterlife" has accumulated $300 million worldwide, becoming probably the most effective film ever for the organization.Moszkowicz is ensuring Anderson stays behind the stereoscopic camera: Fresh from the "Musketeers" pic, the helmer is busy at the office about the fifth "Resident Evil" installment, after which he'll leap straight into "Pompeii," a teenager love story set from the backdrop from the Vesuvius eruption that hidden the traditional Roman city. Scheduled to shoot in Europe the coming year, "Pompeii" is allocated at a lot more than $100 million, which makes it Constantin's most costly movie up to now.Both photos is going to be three dimensional, as will Reinhard Klooss' approaching "Tarzan," a CGI-animated adaptation from the classic Edgar Grain Burroughs novel but occur present.Also in three dimensional is year's "Vicky and also the Treasure from the Gods," a follow-as much as this year's hit family film "Vicky the Viking."The market's concentrate on large three dimensional movies has numerous more compact distribs in Germany concerned about the fate of independent cinema. Some major multiplex operators have scanned, many small- and medium-sized exhibs across Germany and Europe, battling using the costs of digital conversion, warn from the growing dominance of U.S. studio distribs and also the danger to film diversity.Moszkowicz is positive that many exhibs here will have the ability to convert, and states the appetite for more compact and much more adult-skewing fare remains as strong as always.Movie theaters that can't convert in a commercial sense need assistance, Moszkowicz states. "A theatrical landscape that's merely a couple of large operators is within no one's interest. But in addition for more compact theaters in less populated areas -- the requirement for conversion is vital."Adult-specific arthouse and independent productions, both foreign and domestic, have demonstrated greatly effective this season, he adds."There's always room for any good movie, large or small, as lengthy as there's a crowd that really wants to view it. The very first 1 / 2 of this season was, actually, centered by more compact, more adult-skewing films for example 'The King's Speech,' 'Black Swan' and 'Almanya.'"I totally disagree using the notion that large movies threaten more compact films. How whenever they -- especially when they're focusing on completely different categories of audiences?"Indeed, the healthy size Germany's theatrical market is constantly on the attract new gamers, and much more competition for Constantin.Worldwide companies for example Studio Canal and Wild Bunch established footholds here recently, and also the U.S. majors happen to be showing growing curiosity about local productions for that German market.The growing quantity of rivals poses little threat to Constantin, which boasts strong production and distribution divisions, the progressively busy market has driven up property prices."I've come across many arrivals and departures in Germany in production and distribution through the years. The truth is this can be a huge market that may support many gamers. Regarding the major galleries, their strategy appears in my experience to become spotty or stop-and-go regarding local-language movies. Merely a very couple of allow us a nearby-language strategy that's in line with the same slate-based business design that's the building blocks of the worldwide success with British-language game titles. But clearly there's more commotion than ten years ago -- and among the (effects) on German-language films would be that the prices for material (book privileges, scripts) and talent have increased because of more purchasers."Additionally to greater competition, German and European distribs will also be facing multifold challenges resulting from the continuing digital conversion, from new distribution and marketing models towards the ever-present risks of piracy.Digital distribution continues to be continuing, states Moszkowicz. "The amount of sales through digital distribution isn't that relevant -- however i believe it will likely be growing substantially within the next years. We will need to find methods to safeguard our existing business while welcoming new ways. From the customer perspective, it's still confusing that digital consumption arrive in a similar cost as physical consumption." Contact Erectile dysfunction Meza at erectile dysfunction.meza@mannaa.de

MTV Texting Documentary 'Thumbs' Reveals The 'Secret Realm Of Texting,' Director States

Texting is becoming greater than a fad for many tweens and teens it's be a lifestyle. MTV's new documentary "Thumbs" goes below the top about the trend to try and crack in to the secret realm of texting. The film follows several six teens who joined LG's U.S. National Texting Championship to try and generate the title of quickest texter within the U . s . States, along with a whopping $50,000 prize. Academy Award-winning director Bill Couturi was intrigued through the texting phenomenon and, after being contacted by producer Michael Tollin, made the decision to produce the very first documentary featuring the popularity. MTV News got about the phone with Couturi to discover much more about the film and what he discovered texting along the way. "I did not understand what I'd find. And things i found is these children are straight A students," he stated. He added that raising a child plays a significant part within the addictive component of texting, stating that "like every youngsters with anything, you need to provide them with some rules." Couturi was initially intrigued through the project when he observed their own 14-year-old boy could be a slave to texting away with "thumbs flying." Many grown ups possess a prejudice against kids texting an excessive amount of, but Couturi discovered that typically that's unwarranted. "It is a generation gap factor," he described, stemming from the truth that grownups think that if a couple aren't speaking in person, they are not interacting, while youthful kids believe the alternative. It's that reference to their peers that Couturi thinks is exactly what draws teens to texting, and also to other social media shops like Facebook. "Thumbs" focuses on six kids between your age range of 13 and 16 who managed to get towards the final 32 rivals in 2010's championship. Of these two men and four women he adopted, the boys lost within the first round, leading Couturi to proclaim that women are faster texters. A few of the teens competing could text as much as 100 words each minute, which Couturi in comparison to secretaries having the ability to type 100 words each minute on the type-authors. But Couturi did not find any kind of negative link between teens who could text well and teens who showed inappropriate behavior. The champion of 2010's championship, a 13-year-old from Brooklyn named Brianna, really had the most stringent parents from the kids he adopted. She wasn't permitted to text while dining or when you are performing her homework, never texted at school, and was totally fine by using it. "It is a fun movie, it comes down to kids getting a great time, there is however also some a moral inside that texting could be addictive, but when you simply perform a minimal quantity of raising a child, you are able to take proper care of it and everybody can have fun," he described. The documentary employed a unique mobile phone program that it is subjects downloaded onto their phones that permitted Couturi to keep an eye on everything these were texting. The conversations occurring via their mobile phones can look within the movie for individuals to determine. "It's type of such as this secret realm of texting will get opened up up and that we see that, again, they are just speaking like kids. Nothing terrible," Couturi stated. "Sometimes they are just a little racy, sometimes they are just a little inappropriate, but generally they are just goofing around getting a great time.Inch "Thumbs" premieres on MTV at 10:00 p.m. ET/PT on Friday, August 19. Inform us your ideas concerning the documentary within the comments section below or on Twitter!

Majesteit

One hour before the State Opening of Parliament, something very unusual happens. The Prime Minister appears and demands an adjustment to the Queen's speech. The speech concerns aid to Africa. Even with all the pressure around the State Opening, Beatrix goes back in time, and remembers her banishment to Canada, the visit to the victims of the Flood disaster and the turbulence suffered by her parents at Palace Soestdijk during the Hofman case.

Best Intentions (Din dragoste cu cele mai bune intentii)

A Hi Film, Cor Leonis Films, 4Proof Film production, in association with Movie Partners in Motion. (International sales: Films Boutique, Berlin.) Produced by Ada Solomon. Co-producers, Emoke Vagasi, Monica Lazurean-Gorgan. Directed, written by Adrian Sitaru.With: Bogdan Dumitrache, Natasa Raab, Aline Grigore, Marian Ralea, Adrian Titieni, Clara Voda, Gelu Colceag, Tibi Dina, Isabela Neamtu, Vasilica-Ana Dogaru, Aura Calarasu, Gabriela Popescu, Mirela Tugui, Iulian Postelnicu, Adina Lucaciu, Vlad Oancea, Delia Goia, Remusz Szikszai, Orsolya Toth. (Romanian dialogue)A mother's mild stroke brings out the control freak lurking inside many an Everyman frightened by the vulnerability of loved ones in Adrian Sitaru's sophomore feature, "Best Intentions." A more personal work than the helmer-scripter's previous "Hooked," not only because it's based on Sitaru's own experiences but thanks to the situation's inherent universality, the pic is a slice of life instantly recognizable to auds regardless of nationality. Best appreciated by admirers of Romanian cinema's exacting verisimilitude and confident filmmaking, "Best Intentions" is a fest-circuit shoe-in, but only careful handling can lead it toward limited arthouse play. Alex (Bogdan Dumitrache) is a real guy's guy, the kind who hangs on to tattered underwear and gets annoyed when g.f. Delia (Aline Grigore, in an underwritten role) throws it out. When his father (Marian Ralea) calls to say his mom (Natasa Raab, pitch-perfect) is in the hospital following a stroke, Alex hightails it to the train station with a head full of anxieties. The ensuing days (delineated via titles) are filled with helpful strangers and friends whose unsolicited advice about where best to have her treated, accompanied by horror stories of similar cases, further unsettles Alex, who's incapable of recognizing how feelings of helplessness have compromised his judgment and made him insufferably controlling. Constantly second-guessing his parents' choices despite their confidence in the doctor (Adrian Titieni), Alex is sucked into a nightmare world of his own creation: he's desperate to make the right decisions, yet his limited medical knowledge means worry is offset by a very masculine need for domination. Sitaru's script is so authentic, it feels like it's been copied from some hidden recording device. Though Delia could use filling out, the rest of the characters accurately populate that semi-surreal limbo of all hospital visits, where strangers become all-important guardians and friends are too free with their counsel. Alex's passive-aggressive behavior makes him irritating yet understandable as the possibility of his mother's mortality exposes a deeper level of immaturity hinted at earlier in the film. Where "Hooked" was all p.o.v. shots, here Sitaru adopts a more equitable lensing style, mixing subjective perspectives with standard viewpoints. There's no apparent rhyme or reason for when the camera switches to p.o.v., which seems to be passed around like a contagious virus; only Alex never gets the bug. Rather than lending immediacy or naturalism to the scenario, the device calls attention to itself by its very randomness and, much as in "Hooked," plays like a gimmick without deepening a sense of character or the act of spectatorship. Otherwise, visuals are carefully constructed, often involving satisfying long takes during which the camera appears to gently float in mid-air. The style suits the tense atmosphere, carefully contained so as to remain consistently real; the choice of widescreen allows the hospital room to feel at once like its own vast world and a constricted place where neuroses can breed unchecked.Camera (color, widescreen, HD-to-35mm), Adrian Silisteanu; editor, Andrei Gorgan; production designer, Monica Lazurean-Gorgan; costume designer, Malina Ionescu; sound (DTS), Tamas Zanyi; associate producers, Marie-Pierre Macia, Juliette Lepoutre; line producer, Valentino Rudolf. Reviewed at Locarno Film Festival (competing), Aug. 4, 2011. Running time: 104 MIN. Contact the Variety newsroom at news@variety.com

Ethan Hawke Welcomes 4th Child

Ethan Hawke Ethan Hawke is really a father once again. The 40-year-old Training Day star and the wife, Ryan Shawhughes, welcomed an infant girl named Indiana a couple of days ago, US Weekly reviews. The pair was spotted walking around New You are able to City on Friday using the newborn. Browse the relaxation of present day news This is actually the second child for that couple, who get married in 2008. Hawke has two children from the previous marriage to actress Uma Thurman, which led to 2004.

News Corp.: Elisabeth Murdoch will not join board

Elisabeth Murdoch will not be joining the News Corp. any time soon.In more fallout from the phone-hacking scandal that has enveloped News Corp.'s British newspapers, the company's board of directors said Friday that Elisabeth Murdoch will not be nominated to join the board in October as planned following News Corp.'s acquisition of her Shine Group production-distribution company in February for $674 million.Although it's likely only a temporary delay, the tabling of Elisabeth Murdoch's nomination -- which had been set to be approved at News Corp.'s annual meeting in Gotham on Oct. 15 -- is clearly a move to appease concerns about governance issues that have been raised for the broader company as the political scandal widened for the company in the U.K.The Shine Group acquisition has been criticized by some as overpriced, given the assets, and driven by News Corp. supremo Rupert Murdoch's desire to bring his daughter into the company fold and on the board. The 17-member board already includes Rupert and his two sons, James Murdoch, who heads News Corp.'s Europe and Asia operations and has been at the center of the recent controversy, and Lachlan, who does not have an exec role at News Corp. at present.Since the Shine acquisition, Elisabeth Murdoch has continued to head her London-based Shine Group as an autonomous unit of News Corp.In a statement issued Friday evening, News Corp. board member Viet Dinh, chairman of the board's nominating and governance committee, said:"Elisabeth Murdoch suggested to the independent directors some weeks ago that she felt it would be inappropriate to include her nomination to the board of News Corp. at this year's (annual shareholders meeting), as had been announced by chairman and CEO Rupert Murdoch at the time of the acquisition of Shine Group earlier this year. The independent directors agreed that the previously planned nomination should be delayed."Both Elisabeth and the Board hope this decision reaffirms that News Corp. aspires to the highest standards of corporate governance and will continue to act in the best interests of all stakeholders, be they shareholders, employees or the billions of consumers who News Corp. content informs, entertains and sometimes provokes every year." Contact Cynthia Littleton at cynthia.littleton@variety.com